A Timely Tribute To Tradespeople
New documentary film tells it like it is.
Movie reviews are not PM’s specialty but this is an exception worth shouting from the rooftops.
“The Tradesmen: Making an Art of Work” is an 88-minute social documentary that portrays the real-life work, idiosyncrasies and personal convictions of a multitude of working professionals, including two plumbers, two painters, a stone/brick mason, several carpenters, two auto mechanics and numerous other craftsmen (and one woman). The film recognizes the essential contributions these tradespeople provide, and shows a few of the many challenges they face and the problems they solve in their everyday work. Their stories are combined with academic analysis of the socioeconomic, intellectual and philosophical aspects of modern trade work.
Creator and host of Discovery Channel’s “Dirty Jobs” Mike Rowe discusses the value and innovation found in today’s trade work, which is commonly overlooked in our contemporary high-tech society. “The Tradesmen: Making an Art of Work” premiered in Baltimore, where it was filmed, on May 12.
Don’t look for it at your neighborhood multiplex, because documentaries of this nature don’t have a lot of blockbuster movie potential. Nonetheless, I viewed a DVD as a media courtesy and can tell you without reservation that most of you would give rave reviews to this film. It deserves widespread industry screenings and, more importantly, should be shown to prospective apprentices and other public audiences industry citizens interface with.
A somber tone permeates the film, especially in the beginning as it dwells on laments we’ve often detailed in these pages - cultural bias, trade professionals reluctant to have their kids follow in their footsteps, school officials favoring the academic over vocational track, young people shying away from physical and dirty work. After that, it becomes more uplifting when trade pros tell of the satisfaction and pride they take in their work.
“I’d rather build the office, I can’t just sit there,” says one of the tradesmen on camera.
“You always hear the mayor or governor talking about building better neighborhoods. Well, I’m part of that,” says another.
To me the most important message of the film comes across as it delves into the complexities of trade work, displaying it as a matter of brains as well as brawn. A plumber is shown thinking through a situation and talking about the satisfaction he gets from “figuring out how things can be made to work when you wouldn’t find an answer in a book.” A sociologist comments, “In some ways these people are smart beyond those with degrees.”
Several tradespeople are portrayed who are artists by nature but gravitated toward trade work to make a living. (Artists’ commercial prospects are even bleaker than trade workers’.) They are shown incorporating construction materials into their hobby artwork, and putting their artistic talents to work in their trade craft.
The film ends on the upbeat, speculating about a possible “blue-collar renaissance” spurred by green building and the need to shore up our nation’s infrastructure.
“The Tradesmen: Making an Art of Work” displays classy production values, including beautiful photography with distinctive camera angles and closeups, along with intelligent narration. It advocates a cause to be sure but rises above clumsy propaganda. The trade workers are shown not as heroic figures, but everyday people with quirks and flaws along with talent and drive.
Director Richard Yeagley told me that while theatrical releases are a long shot, he hopes to gain exposure on TV, from DVD sales and online video streaming. When we communicated in April he was focused on promoting its May 12 premiere in Baltimore, which is his hometown and where almost everyone in the film - including Mike Rowe - has at least a tie. “In the following months we are hoping to screen it at several film festivals with the hope of receiving a distribution deal.”
He added: “I intend to screen the film to as many audience members as possible. I happen to feel the timing of this film, as well as the socioeconomic underpinnings and personalized aspects, allow for a broad-based appeal. We are currently reaching out for support from the documentary film world and construction/trade communities. I am always open to community or industry screenings.”
This film would make for superb programming at industry conventions and conferences, and an ideal tool for apprenticeship recruiters. If any organization or individual is interested in having a private screening, write to Richard Yeagley at Richard@thetradesmendocumentary.com.
Visit the film’s website at http://thetradesmendocumentary.com, or at Facebook: www.facebook.com/TradesmenDocumentary.
Movie reviews are not PM’s specialty but this is an exception worth shouting from the rooftops.
“The Tradesmen: Making an Art of Work” is an 88-minute social documentary that portrays the real-life work, idiosyncrasies and personal convictions of a multitude of working professionals, including two plumbers, two painters, a stone/brick mason, several carpenters, two auto mechanics and numerous other craftsmen (and one woman). The film recognizes the essential contributions these tradespeople provide, and shows a few of the many challenges they face and the problems they solve in their everyday work. Their stories are combined with academic analysis of the socioeconomic, intellectual and philosophical aspects of modern trade work.
Creator and host of Discovery Channel’s “Dirty Jobs” Mike Rowe discusses the value and innovation found in today’s trade work, which is commonly overlooked in our contemporary high-tech society. “The Tradesmen: Making an Art of Work” premiered in Baltimore, where it was filmed, on May 12.
Don’t look for it at your neighborhood multiplex, because documentaries of this nature don’t have a lot of blockbuster movie potential. Nonetheless, I viewed a DVD as a media courtesy and can tell you without reservation that most of you would give rave reviews to this film. It deserves widespread industry screenings and, more importantly, should be shown to prospective apprentices and other public audiences industry citizens interface with.
A somber tone permeates the film, especially in the beginning as it dwells on laments we’ve often detailed in these pages - cultural bias, trade professionals reluctant to have their kids follow in their footsteps, school officials favoring the academic over vocational track, young people shying away from physical and dirty work. After that, it becomes more uplifting when trade pros tell of the satisfaction and pride they take in their work.
“I’d rather build the office, I can’t just sit there,” says one of the tradesmen on camera.
“You always hear the mayor or governor talking about building better neighborhoods. Well, I’m part of that,” says another.
To me the most important message of the film comes across as it delves into the complexities of trade work, displaying it as a matter of brains as well as brawn. A plumber is shown thinking through a situation and talking about the satisfaction he gets from “figuring out how things can be made to work when you wouldn’t find an answer in a book.” A sociologist comments, “In some ways these people are smart beyond those with degrees.”
Several tradespeople are portrayed who are artists by nature but gravitated toward trade work to make a living. (Artists’ commercial prospects are even bleaker than trade workers’.) They are shown incorporating construction materials into their hobby artwork, and putting their artistic talents to work in their trade craft.
The film ends on the upbeat, speculating about a possible “blue-collar renaissance” spurred by green building and the need to shore up our nation’s infrastructure.
“The Tradesmen: Making an Art of Work” displays classy production values, including beautiful photography with distinctive camera angles and closeups, along with intelligent narration. It advocates a cause to be sure but rises above clumsy propaganda. The trade workers are shown not as heroic figures, but everyday people with quirks and flaws along with talent and drive.
Director Richard Yeagley told me that while theatrical releases are a long shot, he hopes to gain exposure on TV, from DVD sales and online video streaming. When we communicated in April he was focused on promoting its May 12 premiere in Baltimore, which is his hometown and where almost everyone in the film - including Mike Rowe - has at least a tie. “In the following months we are hoping to screen it at several film festivals with the hope of receiving a distribution deal.”
He added: “I intend to screen the film to as many audience members as possible. I happen to feel the timing of this film, as well as the socioeconomic underpinnings and personalized aspects, allow for a broad-based appeal. We are currently reaching out for support from the documentary film world and construction/trade communities. I am always open to community or industry screenings.”
This film would make for superb programming at industry conventions and conferences, and an ideal tool for apprenticeship recruiters. If any organization or individual is interested in having a private screening, write to Richard Yeagley at Richard@thetradesmendocumentary.com.
Visit the film’s website at http://thetradesmendocumentary.com, or at Facebook: www.facebook.com/TradesmenDocumentary.
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